Past

In A Single Work – MAX GEISLER
Angetäuschte Isolationsübung, 2018
Opening May 24, 2020, 11-5pm (as part of SUNDAY OPEN organized by INDEX)
Through June 13, 2020

Photos: Julie Becquart

 

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JOHN MATTHEW HEARD Flash Card
February 7 – May 9, 2020

> press release
> checklist

Contemporary Art Daily (selected by Tenzing Barshee)

……. when in peril

No additional text for print.

So read the primordial saturations. Through and through, like the baleen of the whale’s jaw : sieves, shudder-lit, tendering, it filters the krill from the mass, the invisible proteins, the microcosm from the chasm, the thing from the wanton, yes it wrings the sea through the verdant sea.

Ever since childhood you have known. The artist has this obligation to desire, the way color requires vowels. The way the phone has its own diabolical tastebuds. The way the bones of snowy owls are found in the Abyssal Plain. We have this obligation to follow its helpless migration, its incandescent howl. To put foot to soil, silt to bed.

Dolphins of words leap from the crevices. They candle and hiss, arcing in you. There is only one Ocean. It is not metaphorical for those who live it.
My friend who was born on her parents fishing boat in Alaska, a twin, tells me this.

The hummingbird drifts from land for fragrance is not always rooted to cause.

Sleep is a moate full of hungry ghosts, around the red crumb of winter.

Seeing is a sinking ship. Watering to obscure that shape.

What happens to places water once needed ?

………. Time         gets used for a lot of things …

Our house in the desert belongs to geckos now. They are the hue of having eaten spiders in silence on cactus pads. Warm blue, cold orange, beak-pierced, cunning. Jack has been there.

When in peril, geckos lose their tails on purpose, leaving them behind for the hunter, a phantom body loose in the dune, one could use to make this work.

 

Devin Alexander

 

Announcement

 

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YANA TSEGAY The Amber Room
November 30, 2019 – January 27, 2020

> Exhibition text (en/de) by Miriam Bettin
> Check list

PASSE-AVANT – Yana Tsegay’s Amberism, by Arootin Mirzakhani
taz – Im Glanz geschmolzenen Zuckers, by Beate Scheder

Announcement

Yana Tsegay The Amber Room
Opening November 30, 2019, 6-9 pm * Performance at 7 pm
Exhibition November 30, 2019 – January 18, 2020

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ERIC MEIER
Wind Of Change
October 18 – November 23, 2019

> Exhibition text

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L’Arbre du Soleil
GUY ALLOTT, SARAH CHOW, STEPHAN DILLEMUTH, JOHN MATTHEW HEARD, ULRIKE MÜLLER,
WAGEHE RAUFI, MAX SCHMIDTLEIN, LAURA SCHUSINSKI
August 31 – October 12, 2019

3D documentation (view fullscreen or in VR):

Installation views (l-r):


L’Arbre du Soleil – MAX SCHMIDTLEIN, STEPHAN DILLEMUTH


L’Arbre du Soleil – ULRIKE MÜLLER, JOHN MATTHEW HEARD, WAGEHE RAUFI, GUY ALLOTT, LAURA SCHUSINSKI


L’Arbre du Soleil – ULRIKE MÜLLER


L’Arbre du Soleil – JOHN MATTHEW HEARD


L’Arbre du Soleil – ULRIKE MÜLLER, JOHN MATTHEW HEARD, WAGEHE RAUFI


L’Arbre du Soleil – JOHN MATTHEW HEARD, MAX SCHMIDTLEIN, WAGEHE RAUFI


L’Arbre du Soleil – WAGEHE RAUFI


L’Arbre du Soleil – WAGEHE RAUFI, LAURA SCHUSINSKI, GUY ALLOTT


L’Arbre du Soleil – LAURA SCHUSINSKI, GUY ALLOTT, MAX SCHMIDTLEIN


L’Arbre du Soleil – LAURA SCHUSINSKI


L’Arbre du Soleil – MAX SCHMIDTLEIN


L’Arbre du Soleil – MAX SCHMIDTLEIN


L’Arbre du Soleil – SARAH CHOW


L’Arbre du Soleil – SARAH CHOW


L’Arbre du Soleil – SARAH CHOW


L’Arbre du Soleil – SARAH CHOW


L’Arbre du Soleil – STEPHAN DILLEMUTH


L’Arbre du Soleil – MAX SCHMIDTLEIN, STEPHAN DILLEMUTH


Installation view L’Arbre du Soleil

All photos by groupshow.eu

Announcement: