Past

Dein Link

2026
2025
2024
2023
2022
2021
2020
2019
Archive


Shinoh Nam
A Guide to the Interior for a House on Ambiguous Grounds
May 1 – June 27

Architectural concept development with Changki Kim
Exhibition text by Olamiju Fajemisin

Opening Friday May 1, 6–9 pm, as part of Mountains × GALLERY WEEKEND BERLIN 2026
Finissage Saturday June 27, 3–6 pm

› EN press release
› DE Pressemitteilung
› Text by Olamiju Fajemisin
› Contemporary Art Library

Installation views:

Individual works:


Shinoh Nam, Sang-ryang-mun (Topping-out ritual): For those who support my selfishness, I flare up and pray, 2026 · Burnt wood, steel, brass, Korean paper (hanji) · 122 × 98 × 24 cm


Detail


Shinoh Nam, For you who pray for yourself, for you who wait for the glory of salvation and victory at the end of suffering, I have a story I want to tell you. It is the kind of story you already know, 2026 · Vintage door (1900s), acrylic box, mirror-polished cast aluminum, door viewer, steel, brass · 210 × 35 × 35 cm — View with interior face of the door


Shinoh Nam, For you who pray for yourself, for you who wait for the glory of salvation and victory at the end of suffering, I have a story I want to tell you. It is the kind of story you already know, 2026 · Vintage door (1900s), acrylic box, mirror-polished cast aluminum, door viewer, steel, brass · 210 × 35 × 35 cm — View with exterior face of the door


Shinoh Nam, Is what we all actually want, in fact, to know each other deeply?, 2026 · Vintage door (1900s), polished cast aluminum, door viewer, steel, brass · 225 × 34 × 26 cm — View with interior face of the door


Shinoh Nam, Is what we all actually want, in fact, to know each other deeply?, 2026 · Vintage door (1900s), polished cast aluminum, door viewer, steel, brass · 225 × 34 × 26 cm — View with exterior face of the door


Shinoh Nam, I No Longer Need to Hide Chocolate…, 2026 · Artist-used 1900s furniture, polished cast aluminum, acrylic box, polished stainless steel, inkjet print, LED, and door viewer · 100 × 85 × 32 cm


Detail


Shinoh Nam, The only thing I can do is stretch meaninglessness until it shines, 2026 · Antique furniture (used by the artist), polished cast aluminum, acrylic box, ash, and steel · 156 × 35 × 24 cm


Detail


Shinoh Nam, You, old and broken of limb, shall not break my world , 2026 · Artist-made LC4 chair, stainless steel frame. cotton cord, polished cast aluminium · 85 × 90 × 74 cm


Shinoh Nam, I love you. I will become me (Glass bead game and Demian by Hermann Hesse), 2026 · Acrylic glass, hand-polished steel, stainless steel, books · 32 × 27 × 7 cm


Perspective view


Shinoh Nam, I love you. I will become me (The Delusions of Crowds by William J. Bernstein, Faust by Johann Wolfgang von Goethe), 2026 · Acrylic glass, hand-polished steel, stain-less steel, books · 32 × 27 × 7 cm


Perspective view


Shinoh Nam, Doorknob: with every Doors, against my hopes and certainties, 2025 · Artist-polished steel · 6,5 × 6 × 6 cm


Shinoh Nam, Doorknob: with every Doors, against my hopes and certainties, 2025 · Artist-polished steel · 6,5 × 6 × 6 cm


Shinoh Nam, Doorknob: with every Doors, against my hopes and certainties, 2025 · Artist-polished steel · 6,5 × 6 × 8 cm


Shinoh Nam, Doorknob: with every Doors, against my hopes and certainties, 2025 · Artist-polished steel · 14,5 × 4 × 8,5 cm


Shinoh Nam, Doorknob: with every Doors, against my hopes and certainties (broken), 2025 · Artist-polished steel · 14,4 × 4 × 8 cm
(left)

Shinoh Nam, Untitled (site specific work), 2026 · Mirror polished stainless steel, Door viewer, Dimensions variable
(top right)


(left to right)

Shinoh Nam, Doorknob: with every Doors, against my hopes and certainties , 2025 · Artist-polished steel · 4,2 × 10 × 8 cm

Shinoh Nam, Untitled (site specific work), 2026 · Mirror polished stainless steel, Door viewer, Dimensions variable

Shinoh Nam, Doorknob: with every Doors, against my hopes and certainties, 2025 · Artist-polished steel · 4,2 × 10 × 8 cm


Detail


Shinoh Nam, Untitled (site specific work), 2026 · Mirror polished stainless steel, Door viewer, Dimensions variable


Shinoh Nam, Concept Drawing: Dark Tunnel, 2025 · Pen, black Japanese ink, oil pastel, acrylic paint, prophecy on paper from fortune cookie, polyurethane, Hahnemühle 300 g paper · 20 × 30 cm (28,5 × 38,5 × 3,5 cm framed)


Shinoh Nam, Concept Drawing: Everytime I watch the sun rise, I can’t shake the feeling of a heavy burden resurfacing, 2025 · Pen, acrylic paint and Japanese ink, oil pastel, crayon, prophecy on paper, inkjet print, polyurethane, Hahnemühle 300 g paper · 20 × 30 cm (28,5 × 38,5 × 3,5 cm framed)


Shinoh Nam, Concept Drawing: Peephole work, 2025 · Pen, black Japanese ink, oil pastel, acrylic paint, medium, inkjet print, Hahnemühle 300 g paper · 20 × 30 cm (28,5 × 38,5 × 3,5 cm framed)

All photos by Julie Becquart

Exhibition poster:

Design by MinOhrichar

Mountains × PARIS INTERNATIONALE Milano
April 18–21, 2026

David Medalla (1938–2020)


David Medalla, A Stitch in Time, 1981 (Participatory work from South Hill Park Performance Festival, Bracknell UK) · textile, thread spools, mixed media, 220 × 185 × 5 cm


David Medalla, Sirens – The fairy Mountain, a homage to Mei Lan Fang, Rome 23 march 2017 · Archival-Print, 79.9 × 60 cm


David Medalla, Sirens – A Cloud in Trousers. Homage to Mayakovsky Duchamp and Man Ray, Manila August 11 2019 · Archival-Print, 79.9 × 60 cm


David Medalla, Sirens – Gong Hei Fat Choy, 2019 · Archival-Print, 79.9 × 60 cm


David Medalla, Sirens – Mondrian en Excelsis. Dillmans Doctors Hospital Quezon City, Manila March 2 2018 · Archival-Print, 79.9 × 60 cm


David Medalla, Sand Machine – Baguio 1, 1963/2017 · wood, brass, sand, bamboo, acrylic sheet, glass beads and other materials, 150 × 60 × 60 cm


David Medalla, Giordano Bruno, 1981 · pen on paper, 27 × 20.5 cm


David Medalla, Two lesbians in a Café at Montmartre in Paris, 1981 · pen on paper, 27 × 20.5 cm

Photos: Gabriele Abbruzzese


ART COLOGNE PALMA MALLORCA
April 9–12, 2026

Guy Allott · Sophia Domagała · Edi Dubien · Nschotschi Haslinger · I. S. Kalter · Franziska Kneidl · Jusun Lee
· Monika Maurer-Morgenstern · David Medalla · Olivia Parkes · Yana Tsegay


L–R: Monika Maurer-Morgenstern, Guy Allott, David Medalla, Jusun Lee, Sophia Domagała


L–R: I. S. Kalter, Edi Dubien, Yana Tsegay, Nschotschi Haslinger, Monika Maurer-Morgenstern, Guy Allott, David Medalla


L–R: I. S. Kalter, Edi Dubien, Yana Tsegay, Nschotschi Haslinger, Monika Maurer-Morgenstern, Guy Allott, David Medalla, Jusun Lee, Sophia Domagała


L–R: I. S. Kalter, Edi Dubien


L–R: Franziska Kneidl, Olivia Parkes, David Medalla, Jusun Lee, Sophia Domagała

Photos: Joanna Wilk


Jusun Lee Maybe I am allowed
March 14 – April 18, 2026

Opening reception: Friday, March 13, 6–9 pm

EN press release · DE Pressemitteilung
Artist’s notes

Contemporary Art Library

Installation views:

Individual works:


Jusun Lee, System, 2026 · Stainless steel panels, acrylic beads, glass, metal chains · 152 × 215 × 185 cm


Jusun Lee, System, 2026


Jusun Lee, System, 2026


Jusun Lee, System, 2026 (Detail)


Jusun Lee, Circuit, 2026 · Stainless steel · 350 × 260 × 110 cm, dimensions variable


Jusun Lee, Circuit, 2026 (Detail)


Jusun Lee, Blinds, 2026 · Stainless steel square tube, acrylic beads, metal chain · 100 × 365 × 3.5 cm


Jusun Lee, Span, 2026 · Stainless steel, PVC pipe, plastic cord · 40 × 315 × 20 cm, dimensions variable


Jusun Lee, Slot, 2026 · Stainless steel, PVC pipe, plastic cord · 150 × 12.5 × 12.5 cm


Jusun Lee, Slot, 2026


Jusun Lee, Frameworks Vol. I-VII, 2026 · Stainless steel · approx. 18.5-58 × 20-53 × 8-23 cm, various dimensions

Framework vol. VI, 2026
Jusun Lee, Frameworks Vol. VI, 2026 · Stainless steel, acrylic beads

Framework vol. IV, 2026
Jusun Lee, Frameworks Vol. IV, 2026 · Stainless steel, metal wires

Framework vol. VII, 2026
Jusun Lee, Frameworks Vol. VII, 2026 · Stainless steel, metal chains

Framework vol. II, 2026
Jusun Lee, Frameworks Vol. II, 2026 · Stainless steel, metal chains, acrylic breads

Framework vol. III, 2026
Jusun Lee, Frameworks Vol. III, 2026 · Stainless steel, metal chains

Framework vol. I, 2026
Jusun Lee, Frameworks Vol. I, 2026 · Stainless steel, acrylic beads

Framework vol. V, 2026
Jusun Lee, Frameworks Vol. V, 2026 · Stainless steel, metal wires


Jusun Lee, Time Lapse, 2026 · Stainless steel, acrylic beads, metal chain · 9 spheres, Ø 26 cm each, overall length either approx. 63 or 80 cm, dimensions variable

Exhibition poster:

Exhibition photography: Julie Becquart

to make appear – Alrun Aßmus, Kerstin Brätsch, Christine Gironcoli, Daniel Karrer, Franziska Kneidl, Vincent Kriste, Shinoh Nam, Philipp Schwalb
curated by Stefanie Bringezu

January 17 – February 28, 2026
Friday, January 16, 6–9 pm | Opening reception
Saturday, January 17, 4 pm | Curator’s Tour

EN press release · DE Pressemitteilung

📍 Mountains, Rosa-Luxemburg-Platz, Weydingerstr. 6, 10178 Berlin

Installation views:


L-R: Kerstin Brätsch, Christine Gironcoli, Vincent Kriste


L-R: Vincent Kriste, Daniel Karrer, Alrun Aßmus, Kerstin Brätsch


L-R: Philipp Schwalb, Kerstin Brätsch


L-R: Alrun Aßmus, Daniel Karrer, Philipp Schwalb, Daniel Karrer, Franziska Kneidl


L-R: Franziska Kneidl, Vincent Kriste, Alrun Aßmus, Daniel Karrer


L-R: Alrun Aßmus, Daniel Karrer, Alrun Aßmus, Philipp Schwalb


L-R: Shinoh Nam, Daniel Karrer, Philipp Schwalb


Shinoh Nam


Franziska Kneidl

Individual Works:


Alrun Aßmus, Erdbeertorte (Strawberry cake), 2024 · Silk organza and silk thread · Image 143 × 97,5 cm / panel 350 × 140 cm, dimensions variable


Alrun Aßmus, Mandarine-Schmand (Creamy mandarine cake), 2024 · Silk organza and silk thread · 62,5 × 92,5 cm


Kerstin Brätsch, MƎTA, 2020-2023 · Oil, acrylic, oil stick on paper · 40 × 31,8 × 3 cm (framed)


Kerstin Brätsch, MƎTA, 2024 · Oil on paper · 40 × 31,8 × 3 cm (framed)


Kerstin Brätsch, MƎTA, 2024 · Oil on paper · 40 × 31,8 × 3 cm (framed)


Kerstin Brätsch, MƎTA, 2023-2024 · Oil on paper · 40 × 31,8 × 3 cm (framed)


Kerstin Brätsch, MƎTA, 2024 · Oil on paper · 40 × 31,8 × 3 cm (framed)


Christine Gironcoli, Ohne Titel (Untitled), 2024 · Wooden shovel and oil on canvas · 84 × 140 × 12


Daniel Karrer, Untitled, 2025 · Oil, gouache, reverse glass painting · 62 × 82 × 4 cm (framed)


Daniel Karrer, Untitled, 2023 · Oil, acrylic, ink, reverse glass painting · 50 × 40 × 4 cm (framed)


Daniel Karrer, Untitled, 2024 · Oil, acrylic, reverse glass painting · 64 × 52 × 4 cm (framed)


Daniel Karrer, Untitled, 2025 · Oil, acrylic, ink, reverse glass painting · 50 × 40 × 4 cm (framed)


Daniel Karrer, Untitled, 2025 · Oil, gouache, reverse glass painting · 31 × 25 × 2 cm (framed)


Daniel Karrer, Untitled, 2025 · Oil, reverse glass painting · 31 × 25 × 2 cm (framed)


Daniel Karrer, Untitled, 2025 · Oil, acrylic, reverse glass painting · 31 × 25 × 2 cm (framed)


Franziska Kneidl, M. W., 2025 · Paper and acrylic on canvas · 100 × 70 × 4 cm (framed)


Franziska Kneidl, B. Z., 2023 · Paper and acrylic on canvas · 60 × 50 × 3 cm


Vincent Kriste, Figur 1 (Figure 1), 2024 · Acrylic on cotton · 130 × 95 × 5 cm


Vincent Kriste, Figur 2 (Figure 2), 2025 · Acrylic on cotton · 130 × 95 × 5 cm


Vincent Kriste, Teppich grün (Green carpet), 2025 · Acrylic on cotton · 170 × 130 × 3 cm


Shinoh Nam
L: I always wanted to write my own diary as well. And I think it’s always amply written. But, as ‘You’ know, my diary is insusceptible and I can’t concentrate anymore, I, 2026
R: I always wanted to write my own diary as well. And I think it’s always amply written. But, as ‘You’ know, my diary is insusceptible and I can’t concentrate anymore, III, 2026
Plexiglass, hand polished steel, stainless steel, collaged diary · 32 × 27 × 7 cm each


Shinoh Nam, I always wanted to write my own diary as well. And I think it’s always amply written.
But, as ‘You’ know, my diary is insusceptible and I can’t concentrate anymore (I), 2023


Shinoh Nam, I always wanted to write my own diary as well. And I think it’s always amply written.
But, as ‘You’ know, my diary is insusceptible and I can’t concentrate anymore (I), 2023


Shinoh Nam, I always wanted to write my own diary as well. And I think it’s always amply written.
But, as ‘You’ know, my diary is insusceptible and I can’t concentrate anymore (I), 2023
View from above


Shinoh Nam, I always wanted to write my own diary as well. And I think it’s always amply written.
But, as ‘You’ know, my diary is insusceptible and I can’t concentrate anymore (III), 2026


Shinoh Nam, I always wanted to write my own diary as well. And I think it’s always amply written.
But, as ‘You’ know, my diary is insusceptible and I can’t concentrate anymore (III), 2026


Philipp Schwalb, Others Coin Life Heavy Mental (Der Bild-Survivor), 2023
· Acrylic, gouache and oil on canvas · 200 × 160 × 1 cm (Recto)


Philipp Schwalb, Others Coin Life Heavy Mental (Der Bild-Survivor) (Verso)


Philipp Schwalb, Surfaces: Schwester_Daughter / day and night Maasreflections, 2025
· Acrylic, gouache and oil on canvas · 60 × 60 × 2 cm

All works by Kerstin Brätsch are courtesy of the artist and Gladstone Gallery
Christine Gironcoli courtesy of Kai Middendorff Galerie
All works by Daniel Karrer are courtesy of the artist and Tony Wuethrich Galerie
All works by Franziska Kneidl are courtesy of Kai Middendorff Galerie

Exhibition flyer: