Born 1972, Hexham, UK. Lives and works in London, UK

CV
Selected works
Gallery exhibitions
Artist’s website

Guy Allott is a painter, sculptor, printmaker and ceramicist who draws from science fiction and landscape painting to create works that are fantastic and playful. At the same time he remains somewhat apart from these genres themselves, satirising and twisting their tropes.
Allott recently showed in Milchstraßenverkehrsordnung (Space is the Place) at Künstlerhaus Bethanien, Berlin. He has had numerous solo and group exhibitions, including Reception (Berlin, DE), MAC VAL (Vitry-sur-Seine, FR), Zabludowicz Collection (London, UK), and Chung King Project (Los Angeles, US). His works are included in collections at the V&A Museum and the British Library in London, in the Zabludowicz Collection, the UBS Art Collection, the Fidelity Art Collection, and many other public, corporate and private collections.
Allott’s first solo show at MOUNTAINS is called “I Am A Building” and is inspired from Mary Shelley’s 1818 Gothic novel “Frankenstein; or, The Modern Prometheus”.

The Recovered Tools, 2020 – Oil on hessian, 133 × 122 × 6 cm
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Absentis Activis, 2020 – Oil on linen, 150 × 105 × 3 cm
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The Door at Night, 2020 – 150 × 100 × 3 cm
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Monster I, 2018 – Oil on linen, 28 × 23 cm
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Monster II, 2019 – Oil on linen, 120 × 98 cm
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Large Early Painting, 2020 – Oil on linen, 90 × 60 × 3 cm
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He Remembers He Found It In The Forest But Didn’t Remember If He Had Made It, 2020 – Oil on linen, 48 × 43 × 3 cm
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Protoplanet I, 2020 – Oil on hessian on wood, 24 cm diameter
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I Am A Building, 2020 – Oil on linen, 54 × 40 × 2 cm
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Alien VII, 2018 – Oil on linen, 46 × 31 cm
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Alien V, 2018 – Oil on linen, 20 × 20,5 cm
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Alien III, 2018 – Oil on linen, 50 × 40 cm
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Echinus, 2019 – Glazed ceramic, 12 × 12 × 15 cm
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Alysides, 2019 – Glazed ceramic, 12 × 12 × 15 cm
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Photos: Best Quality, Berlin; Julie Becquart; groupshow.eu

Born 1990, Frankfurt am Main, Germany. Lives and works in Offenbach, Germany.

CV

Max Geisler, Protect your neck, 2019. Drywall, mineral wool, reinforcement fabric, spackling paste, acrylic spray paint. Dimensions variable.
Installation view Frankfurter Kunstverein, And This Is Us, 2019. Photo: Norbert Miguletz

Max Geisler, H.1.20 (Habitat), 2020. Acrylic and varnish on pop-up tent, 190 × 120 × 50 cm

Max Geisler, In memory (for rent) I, 2019. Spray paint on coated paper, 100 × 70 cm

Max Geisler, In memory (for rent) III, 2019. Spray paint on coated paper, 100 × 70 cm

Max Geisler, In memory (for rent) V, 2019. Spray paint on coated paper, 100 × 70 cm

Max Geisler, In memory (for rent) VI, 2019. Spray paint on coated paper, 100 × 70 cm

Max Geisler, In memory (for rent) VII, 2019. Spray paint on coated paper, 100 × 70 cm

Max Geisler, SCHLAND II, 2016. Make-up and varnish on cotton, 120 × 100 cm

Max Geisler, the cheese is not eaten yet, 2017. Acrylic, spraypaint and reinforcement fabric on cardboard, ca. 350 × 300 × 45 cm

Max Geisler, ach die haben auch schon feierabend – gestern waren die aber später, 2017. Oil, spraypaint and paper on canvas, 150 × 120 cm

Max Geisler, Curtain, 2017. Oil on canvas, 140 × 120 cm

Max Geisler, Curtain 2, 2018. Oil on canvas, 140 × 120 cm

Max Geisler, Angetäuschte Isolationsübung, 2018. Acrylic, spray paint, linseed oil and paper on canvas, 200 × 150 cm

Born 1987, New York, NY. Lives and works in New York

CV

John Matthew Heard’s recent work is the potential for institutional overdetermination. To this end caption cards, audio guides, and catalogs have been produced to crowd the image of his paintings. An ongoing obsession with the difference between a thing and itself has focused displays on display, labels, frames and the backsides of frontsides.
John Matthew Heard studied at Oberlin College and graduated from CalArts in 2010. He also studied with Michael Krebber, Josef Strau and Haegue Yang at Städelschule in Frankfurt am Main. For his audio/visual installation Paintings for the Blind and Dyslexic John Matthew Heard was awarded with the Städelschule graduation prize 2018.

Untitled, 2020 · 6 miniature oil paintings on mat board cutouts, in architectural model of the previous gallery space, pedestal · 82 × 120 × 60 cm · Installation view in Assisted Survival, Mountains, 2020

Installation view Assisted Survival, 2020, MOUNTAINS, Berlin

Installation view JOHN MATTHEW HEARD Flash Card, 2020, MOUNTAINS, Berlin

Installation view JOHN MATTHEW HEARD Flash Card, 2020, MOUNTAINS, Berlin

Shaggy Blonde Hair, 2019 (L) · Ink on canvas, wood frame, custom fruit stickers under glass, 80 × 60 × 3,5 cm
The Godfather Part Nine, 2019 (R) · Ink on canvas, wood frame, custom fruit stickers under glass, 80 × 60 × 3,5 cm

Installation view L’Arbre du Soleil (L-R ULRIKE MÜLLER, JOHN MATTHEW HEARD, WAGEHE RAUFI), 2019, MOUNTAINS, Berlin

The Godfather Part Nine, 2019 (detail) · Ink on canvas, wood frame, custom fruit stickers under glass, 80 × 60 × 3,5 cm

Paintings for the Blind and Dyslexic, 2018 · Mixed media · Installation view in After Rubens, Städel Museum, Frankfurt am Main, 2018

Paintings for the Blind and Dyslexic, 2018 (detail)

Paintings for the Blind and Dyslexic, 2018 (detail)

Paintings for the Blind and Dyslexic, 2018 (detail)

Paintings for the Blind and Dyslexic, 2018 (detail)

Paintings for the Blind and Dyslexic, 2018 (detail)

Figure with two bags VII, 2019 (recto) · Paint on canvas, 130 × 90 cm

Figure with two bags VII, 2019 (verso) · Paint on canvas, 130 × 90 cm

Figure with two bags VI, 2019 (recto) · Paint on canvas, 130 × 90 cm

Figure with two bags VI, 2019 (verso) · Paint on canvas, 130 × 90 cm

Figure with two bags V, 2019 (recto) · Paint on canvas, 130 × 90 cm

Figure with two bags V, 2019 (verso) · Paint on canvas, 130 × 90 cm

Figure with two bags IV, 2019 (recto) · Paint on canvas, 130 × 90 cm

Figure with two bags IV, 2019 (verso) · Paint on canvas, 130 × 90 cm

Photos: groupshow.eu (1-3), Julie Becquart (4-11)

Berlin, DE
Eric Meier in … oder kann das weg? Fallstudien zur Nachwende
neue Gesellschaft für bildende Kunst (nGbK)
September 16 — November 7, 2021

Frankfurt Oder, DE
Eric Meier Reelleti Scheck
St.-Marien-Kirche
August 15 — September 26, 2021

Leipzig, DE
Eric Meier in Kennzeichen L
Stadtgeschichtliches Museum, Leipzig
June 16 – September 26, 2021

Berlin, DE
Eric Meier in META MODELL
Die Möglichkeit einer Insel
April 28 – May 30, 2021

Berlin, DE
Eric Meier in Berlin Masters Exhibition
Berlin Masters Foundation
August 19 – 29, 2020

Berlin, DE
Eric Meier Goodbye Deutschland
Hošek Contemporary
June 12 – July 12, 2020

Frankfurt am Main, DE
Eric Meier Don’t worry there will be more problems
fffriedrich
February 21 – March 13, 2020

Paris, FR
Eric Meier in Ici et là-bas. Les Meisterschüler de Heidi Specker
Goethe Institut Paris
November 7, 2019 – January 12, 2020

Berlin, DE
Eric Meier Wind Of Change
MOUNTAINS
October 18 – November 23, 2019

Cologne, DE
Eric Meier in refuse normality question everything
Zarinbal Khoshbakht
October 12 – November 22, 2019

Valletta, ML
Eric Meier Diktat
Valletta Contemporary
September 26 – October 27, 2019

Berlin, DE
Olivia Parkes
Dorothea Konwiarz Stiftung
August 2020

Online Viewing Room
Olivia Parkes in Jack’s Flat
May 14 – June 15, 2020

Future Fair NY | futurefairs.com
C+N Canepaneri (Milan)
Olivia Parkes solo presentation
May 6 – June 6, 2020

AMERICAN SHORT FICTION
Olivia Parkes: Appointment
Short Story
March 31, 2020

Milan, IT
Dennis Fuchs, Olivia Parkes, Georg Vierbuchen
C+N Canepaneri
December 5, 2019 – January 17, 2020

Potsdam, DE
Olivia Parkes in Meisterschüler*innen der UDK Berlin
Kunsthaus sans titre
November 16 – December 8, 2019

Berlin, DE
Olivia Parkes in Centre Bagatelle Preis 2019
Kunstamt Reinickendorf
August 23, 2019 – January 17, 2020

Frankfurt am Main, DE
Yana Tsegay in Koi Pond (curated by KVTV)
Atelierfrankfurt
April 30 – May 29, 2021

Frankfurt am Main, DE
Yana Tsegay The White Hut
(as part of OADE #2 – Developing the Green Cube, curated by KVTV)
Exhibition, Performance, Intervention
Grüne Lunge
July 18 – August 17, 2020

Online Viewing Room
Yana Tsegay in Jack’s Flat
May 14 – June 15, 2020

PASSE-AVANT
Arootin Mirzakhani: Yana Tsegay’s Amberism
December 19, 2019

TAZ
Beate Scheder: Im Glanz geschmolzenen Zuckers
December 11, 2019

Berlin, DE
Yana Tsegay The Amber Room
MOUNTAINS
November 30, 2019 – January 18, 2020 * Performance: November 30